Tuesday, April 21, 2015

Shreve's Points for the Heck of It

So, we have an in class essay today.  And, I needed to get up super early this morning to study for it.  Yeah.  My guess was it was either going to be on how the South needed a change, or a description/analysis of a minor character.  Well, I already know why the South needed a change.  But, I really want an adequate description of a minor character in case Mrs. Oles lets us use our blogs on the in-class essay (not likely, but possible you never know she could be in a great mood.)  So, I decided to write my minor character essay on Shreve Mackenzie because yeah he's a pretty awesome guy.  So, here are Shreve's points (well, kinda, this is more an analysis on Shreve so I could write a decent essay)


Shreve's 14 Points
  • Shreve is Canadian—puts him off social map allowing him to laugh at Quentin and others—normalcy in Quentin’s crazy world
  • Not a good looking man: “pumpkin faced” “pink cheeked” and “bespectacled” but has a great personality
  • Looks out for Quentin and makes sure he doesn’t get sucked up into southern society by Mrs. Bland
  • Shreve ridicules Mrs. Bland and doesn’t care what others think of him
  • Quentin worries Mrs. Bland is going to be mad if he leaves her party, Shreve says, “Hell with them…Tell her her opinion expired at sunset” (Faulkner 63)
  • Faulkner needed an outsider to get a perspective on the north/south thing, or else it would just seem so lame and boring
  • Impossible to untangle 1 country fighting for 2 different cultures—well Shreve man, he would just laugh it off
  • Quentin is framed as a feminine man who points out fellow relationship with Shreve Mackenzie
  • Teases he is Quentin’s “husband” (Faulkner 50)
  • Gerald Bland’s mother calls Shreve “a fat Canadian” and Shreve laughs it off
  • Quentin notes “Shreve’s fat hand touched my knee” (Faulkner 93) Must be merely accidental considering they are in a bouncing carriage
  • Quentin moves his hand away from Shreve’s knee then says again, “His hand touched my knee again.  I moved my knee again.”
  • Shows possibility Shreve’s actions not accidental and show a homosexual relationship (homosexual “husbands”.)
  • Shows desire for new South—homosexuality wouldn’t have been acceptable in the old south or new south really, but a while down the road this does come into play
Dear Readers,
            You are either going to hate or love this essay.  I make a lot of assumptions because Shreve isn't a well described character.  But, I really want to understand him because he is a really interesting and fun character.  So, I hope you like it and maybe have a different and new insight about a very minor character who actually plays an important role in the book. 
 

Monday, April 20, 2015

This Reading Journal Thingy Mrs. Oles is Making Us Do: Dilsey's Chapter

Dilsey's 14 points (no way exactly like Woodrow Wilson's 14 points YES!!)
  • This section is narrated on the same day as Benjy's section (in the present)
  • The day is "grey and misty" as Dilsey walks out past the house.. why grey and misty?  Good question...
  • At one point, Dilsey has to calmly soothe Mrs. Compson as if she is a child then moves on with her chores...ummm...ok...man Mrs. Compson is the epitome of a child...definitely
  • After Quentin runs away, instead of chasing after her, Jason immediately runs to see if his money is missing (which btw it is)
  • Jason needs that "little bitch" tracked down.  Lovely way to think of your niece eh Jason?
  • Frony doesn't want to bring Benjy to church because he is white.  Dilsey dismisses this as saying its good for Benjy to be in God's presence.  Shows the effect of racism definitely
  • There's a visiting pastor who speaks about redemption and makes Dilsey cry...which is pretty freaking impressive if you as me!!
  • Dilsey says she's seen the "first and last" of the Compsons.  THIS IS AN IMPORTANT POINT GUYS.  This shows the change from old Southern values to the new South right here in a nice quote.  Yup, nice huh...
  • The sheriff finds chasing after Quentin for Jason pretty funny, and Jason furiously leaves, determined to find the kid himself
  • Jason violently knocks a circus man out because he says he doesn't know anything about Quentin (which he doesn't).  Geez, violent much Jason...Not the answer
  • Jason's head begins to hurt.  Oh boo hoo poor baby wowww
  • Benjy flips out at one point because he's in the carriage and they go the wrong way.  Remember, Benjy is obsessed with order, and since they went left instead of right, he is going to have a flip out attack.  Benjy begins to bellow loud and people can hear him.
  • Jason furiously rushes out of his car, furious, smacks Luster, and then begins to drive the carriage himself.  Benjy calms down.
  • And that folks, is the end of the book.  Yup, that's how it ends.  Don't ask me why, but yup, congratulations, you finished the book!!

Dilsey, Infinity, Anchors, Feelin’ Life, and Meaningless Words


            Sticking to the metaphors, if the Compson family is a lost ship at sea, Dilsey is its anchor.  Dilsey can’t do much to fix all of the madness that occurs in the Compson family.  Like an anchor, she stays in one piece while the rest of the family falls to bits.  Dilsey offer the reader a different model of a family, a loving, dependable, and happy one.  She offers a different a model of authority that Mrs. Compson does.  Mrs. Compson cries and complains, while Dilsey remains silent.  She hums as she makes breakfast, but her motions are quiet, understated, and effective. She is everything Mrs. Compson isn’t.  Dilsey seems like a rather easy character to overlook as most characters forget that she’s the reason that the Compson house doesn’t collapse.
            When she’s in church, on the other hand, Dilsey finds peace in Christ.  She finds a perspective that allows her to say, "I've seed de first en de last," […] "I seed de beginnin, en now I sees de endin" (Faulkner 180).  Unlike the other characters, Dilsey understands time, and doesn’t cry stay in her memories.  Dilsey’s sense of time is religious, as she looks forward to redemption and not death.  She has a sense of time that moves forwards, not backwards, which is why her section is narrated in a third-person voice since the reader can understand her sense of time.
            The strange, exotic Faulknerian voice seems to have disappeared completely in Dilsey’s section.  At one point, this section quotes, “The day dawned bleak and chill, a moving wall of gray light out of the northeast which, instead of dissolving into moisture, seemed to disintegrate into minute and venomous particles, like dust that, when Dilsey opened the door of the cabin and emerged, needled laterally into her flesh, precipitating not so much a moisture as a substance partaking of the quality of thin, not quite congealed oil.” (Faulkner 187).   Faulkner’s tone is incredibly literal at this point, and the narrator is relaxed and in control of the story.  As a reader, I love it because it’s a reminder of just how crazy the other sections of the novel actually are.
As many of you already know after finishing the novel, Faulkner decides to confuse the heck out of the reader and change voices throughout The Sound and the Fury.  He does this to show the unique sides of each of the Compson brothers.  They’ve all got different views of their family and sorrows.  By combining all of these, Faulkner allows the reader to see just how similar the Compson brothers are. They all think about Caddy A LOT, and contemplate on their childhood.  The reader gets to get inside characters’ heads and see what it’s like to be Quentin, Benjy, and Jason.
            The reader gets to see Quentin, Benjy, and Jason’s perspective, but never Dilsey’s voice.  Faulkner doesn’t want to narrate the experiences of a woman, as all the women in the novel are only talked about.  The reader gets to hear Mrs. Compson lecture Quentin, but that’s nothing compared to the narrations of the three boys.  This is a novel about women, or more importantly, men’s experiences of women. Faulkner also isn’t comfortable narrating the experiences of a black character.  The novel is still centered on a white perspective of racial relations.  Faulkner believes it would be wrong of him to imagine himself in Dilsey’s world.  Finally, Dilsey’s the only character who’s not focused on her own personal world.  Therefore, speaking in the third-person accurately reflects her perspective.  She cares about other’s fates that she actually does have an accurate perception of herself.  She doesn’t need to think all the time, like Benjy or Quentin.  Dilsey doesn’t need a strong "I,” and is more concerned with others than herself.
            The "sound and fury" comes from a very famous play Macbeth.  Faulkner loves tragedy, which is why he chose to use Macbeth’s quote, “(life) is a tale told by an idiot, signifying nothing.”  Macbeth is a play about a man and his family’s world falling completely apart.  The Sound and the Fury is about several men’s worlds and their family falling apart.  The "tale told by an idiot" seems a reference to Benjy’s section of the novel.  After all, he "bellows" all the time, a bellow "full of sound and fury.”  On the other hand, Quentin’s not so brilliant in matters of the world, and Jason isn’t much better, so it’s difficult to interpret who Faulkner really refers to as the "idiot.”  Plus, nothing even happens in this book.  Most books have a climax that drives the story, but in this novel, there’s nothing.  Just like Macbeth’s reference to life, this book is just a bunch of words on paper that doesn't signify anything.  The book isn’t saying life is meaningless, but rather that words represent meaning but its meaning that words can’t communicate.  At times, words aren’t good enough to describe life, and sometimes you just have to feel it (like Benjy lol).  Despite all this confusion, what the heck, The Sound and the Fury still manages to be a pretty great novel.


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